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A Nonfiction Writing Course  ·  Taught in Person

UnderOneRoof

Writing Nonfiction  ·  Essay  ·  Memoir

Every door on every floor opens on a true story.

At 2601 Pennsylvania Avenue  ·  Philadelphia

Notices & Announcements

Posted Saturday, September 26, 2026 Residents who would like to join Under One Roof are invited to email Professor Mulhern at authorjamesmulhern@gmail.com. All sessions are taught in person at 2601. No one is ever asked to share writing they would rather keep private.
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Session Nine  ·  Unit Three — The Building and the City
Notices on the Bulletin Board — The Hermit Crab Essay
The Genre: The Hermit Crab & Found-Form Essay

Main Points of the Lesson

  1. The borrowed shell. Brenda Miller, co-author of our textbook, named the hermit crab essay: a piece that borrows an existing form — a résumé, a recipe, a to-do list — as a shell for vulnerable material.
  2. Form creates distance. Some stories are too tender to tell directly. The cool surface of a form lets the writer approach them sideways.
  3. The friction is the meaning. In “Hairy Credentials,” the gap between a résumé’s neutral language and a woman’s lived experience is where the essay happens.
  4. A building is made of forms. Leases, maintenance requests, lobby notices, package slips, elevator inspection certificates, the resident directory — 2601 hands us shells every day.
  5. Play is serious. Hermit crab essays can be funny. Humor, rightly used, is a way of telling the truth.

Reading for Class — Click to Open

  • Nicole Cyrus, “Hairy Credentials” (Brevity) — read at Brevity
    A personal essay in the form of a professional résumé.
  • Brevity, “The Shared Space Between Reader and Writer” — read at Brevity
    A craft essay on how hermit crab forms invite the reader in.
  • Textbook: Tell It Slant, Chapter 9, “Innovative Forms”; Chapter 10, “Mixed-Media, Cross-Genre, Hybrid, and Digital Works” — see the textbook guide

After Our Discussion — Critical Reception

In-Class Writing Prompt — Laptops Closed

Choose a building form: a maintenance request, a lobby notice, a package-delivery slip, a move-in checklist, or a lease clause. Using its exact headings and language, write a piece of memoir inside it. Nature of problem. Location. Date first noticed. Is entry permitted when you are not home?

Fifteen minutes. Keep the form’s voice strict; let the feeling leak through the cracks.

What happens with this: nothing is collected. It is yours, written on paper, in your notebook. No one is asked to read aloud who does not wish to.

Discussion Questions

  1. Why a résumé for “Hairy Credentials”? What would the essay lose as a straightforward narrative?
  2. When does a hermit crab essay become a gimmick? How can a writer tell?
  3. Which building form best fits a story you have not been able to tell directly?
  4. Could the whole anthology have a hermit crab frame — a resident directory, say? What would that gain or cost?
Homework
  • Read Tell It Slant, Chapter 13, “The Writing Process and Revision,” and Chapter 14, “The Power of Writing Communities.”
  • Finish your hermit crab essay (300–1,000 words).
  • Choose one piece from the course to revise for the anthology, and bring a clean copy to Session 10.
  • Read for Session 10: Montaigne, “Of Repentance.”
For the 2601 Anthology

A hermit crab piece in the shape of a building form can open or close the anthology — a lobby notice announcing the book itself, perhaps.

Before Next Time — Session 10

The Roof Garden — Revision and the Collective Memoir. Revision as re-seeing, the ethics of publishing, and the assembly of Under One Roof: Lives at 2601.

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